What’s going on guys, welcome back to another tutorial. This is a must read for anyone getting into color grading. This is my three-step color grading process. These are the rules and foundations I use for every grade I do.
Read MoreWhat’s going on guys, welcome back to another tutorial. Today we are continuing in our color grading basics series with this video, primaries vs. log wheels. This video is here to break down the difference with the most sense possible.
Read MoreThis time, I wanted to make color grading simple and effective. I am coming from the point of view of someone who might be jumping into this for the first time. You can create these looks in just minutes. How you can create looks so quickly.
Read MoreWelcome to another tutorial everyone! In this, we are going to go over 5 easy steps to get that film look. Your footage can be shot on 8-bit or Arri and these tips will still apply. So let’s go ahead and jump into the tips.
Read MoreWelcome to episode two of commercial vs. film grading. This came from your concerns on how to work with the methodology on how to grade a commercial and a film.
Read MoreHey all! Welcome back. I know this is not a tutorial, but it is a hot subject. Today we are going to be discussing the best color grading monitor setup.
Read MoreIn this tutorial, I will be giving you three easy tips to help you start grading like a professional.
Read MoreIn this tutorial, we are going through how to bring a LOG image to rec.709 using our primaries. The clip we are using was shot on the C200. The amazing thing with contrast and pivot is that if you are working on a show where you are grading 500+ shots a day, knowing this skill can be a game-changer.
Read MoreIn this tutorial, we will be creating a Steely LA Cinematic Look in under 3 minutes. But first, a pro tip, have a better understanding of the project before building a creative look. It’s supposed to help the story and evoke emotions.
Read MoreIn this tutorial, we are going through how to bring a LOG image to rec.709 using our curves. The clip we are using was shot on the C200 Mark II.
Read MoreIn this tutorial, we are going through how to bring a LOG image to rec.709 using our primaries. The clip we are using was shot on the C200.
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