What’s going on guys, it’s Qazi here with another tutorial. Today I am going to be explaining/showing the difference between a commercial look and a film look. So get out your pen and paper and let’s dive right in.
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Hello and welcome back to another tutorial. Today we are doing one more recreation from the Joker movie.
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Hey all! Welcome back. I know this is not a tutorial, but it is a hot subject. Today we are going to be discussing the best color grading monitor setup.
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What’s going on guys! Welcome to another awesome tutorial. We are going to be creating a pretty crazy look with a shot that is completely far off from where we want to be, and try to get it in the ballpark. So come along on this adventure!
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Hello and welcome to another look recreation. Today I will be showing you how to get the Atomic Blonde look.
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What’s going on guys, this is Qazi and welcome to another epic tutorial. This time I am going to talk about how to grade a TV commercial. I am going to bring you along step by step through the entire process.
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Hello and welcome to another look recreation. Today I will be showing you how to get the John Wick look.
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Hello and welcome to this tutorial. Today we are going to be recreating a look from the movie Once Upon a Time in Hollywood.
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Hello and welcome to this tutorial. Today we are going to be recreating the look from The Witcher. So, sit back, take some notes and let’s get started.
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Hello! In this tutorial we are going to be recreating a look from the Joker movie. This is part two of a three-part series.
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What’s going on everyone. In this tutorial we are going to be recreating the Star Wars: The Rise of Skywalker look.
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Hello and welcome to this tutorial! Today we will be recreating two different looks from the Jungle Book movie.
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In this tutorial, I will be giving you three easy tips to help you start grading like a professional.
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Today we will be creating the Mad Max look!
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Today we are discussing five mistakes to avoid as a beginner colorist.
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In this tutorial we are going to create one look from the Joker movie. This is part one of a three-part series. Let’s get into this look!
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In this video I am going to share what helped me to become a professional colorist and how you can take these rules and apply it to your workflow and land your next dream gig. With these rules, not only will you be more efficient as a colorist, but these will help you land your next job.
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In this tutorial, we are going through how to bring a LOG image to rec.709 using our primaries. The clip we are using was shot on the C200. The amazing thing with contrast and pivot is that if you are working on a show where you are grading 500+ shots a day, knowing this skill can be a game-changer.
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In this tutorial, we will be creating a Steely LA Cinematic Look in under 3 minutes. But first, a pro tip, have a better understanding of the project before building a creative look. It’s supposed to help the story and evoke emotions.
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In this tutorial, we are going through how to bring a LOG image to rec.709 using our curves. The clip we are using was shot on the C200 Mark II.
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